REVIEWS:
- AMER (2009)
- ANGST (1983)
- ANIMAL KINGDOM (2010)
- APARECIDOS (2007)
- AUGUST UNDERGROUND: MORDUM (2003)
- BLACK SWAN (2010)
- BUG (2006)
- CALVAIRE (2004)
- COLD FISH (2010)
- CONFESSIONS (2010)
- DARK WATERS (1993)
- DAY OF THE DEAD (1985)
- GUILTY OF ROMANCE (2011)
- IVANSXTC (2000)
- JULIA (2008)
- JULIA'S EYES (2010)
- KABOOM (2010)
- LA VIE NOUVELLE (2002)
- LEVRES DU SANG (1975)
- LITTLE DEATHS (2010)
- THE MANITOU (1978)
- THE MARK (2008)
- MARWENCOL (2010)
- NIGHTMARES IN RED,WHITE & BLUE (2010)
- THE NINE LIVES OF TOMAS KATZ (2008)
- NO MORIRE SOLA (2008)
- PARANORMAL ACTIVITY 2 (2010)
- PINK FLAMINGOS (1972)
- [REC] (2007)
- [REC]2 (2009)
- RED, WHITE AND BLUE (2010)
- THE REEF (2010)
- RESURRECTING THE STREET WALKER (2009)
- RETROACTIVE (1997)
- SPLICE (2009)
- STAKE LAND (2010)
- SURVIVE STYLE 5+ (2004)
- TARGETS (1968)
- TAXIDERMIA (2006)
- THIS IS ENGLAND '86 (2010)
- TROLLHUNTER (2010)
- TROUBLE EVERY DAY (2001)
- WE NEED TO TALK ABOUT KEVIN (2011)

FEATURES:
- A BRIEF INTERLUDE OF SICKNESS & 'EXODUS' (a short by Chuck Palahniuk)
- AMERICAN NIGHTMARES: THE CINEMA OF BUDDY GIOVINAZZO
- FILMS OF THE YEAR (2009)
- FILMS OF THE YEAR (2010)

- THE LAUGHING SHADOW: a very short story
- WHERE THERE IS NO IMAGINATION, THERE IS NO HORROR: A personal selection of cinematic scares

LINKS:
- SexGoreMutants - The Independent Home of Horror
- FAB Press Online: Quality Cinema Merchandise
- Midnight Eye: Visions of Japanese Cinema
- Mondo Macabro: The Wildside of World Cinema
- Andrzej-Zulawski.com
- Strange Things Are Happening: Excess All Areas
- Fascination: The Jean Rollin Experience
- Blue Underground: DVD & Blu-ray cult classics
- Shameless Screen Entertainment

1st May 2011

Post

THE REEF (dir. Andrew Traucki, 2010)

Firstly, let’s get this elephant out of the living room in the fact that this film will never break the bank in terms of artistic valour. However, depending on your constitution this may well shred the nerves more than a dozen films like Open Water or Adrift could ever manage.

These group of Australians taking a trip out a little too far in the barrier reef are a fairly likable bunch for this sort of thing, with the brisk script allowing for decent character development we can actually relate too. Nothing throughout feels forced or out stays its welcome, the main problems that riddled the aforementioned films.

What does impress is the directors handling of the scare scenes. What can easily go wrong in terms of pacing and timing of each scene, especially when the group first encounter a shark, is handled with skill and a degree of respect for the audience. Most of the scares come in broad daylight, adding stark realism to the naturalistic performances and situations. Much use of close ups and water level views contrast well with the vast, open, murky underwater scenes. It also helps that the use of a real shark builds up the growing fear. Only minimal use of CGI can be found, and by all accounts used subtly and with restraint.

A few red herrings here, a few brutal shocks there, and with a final degree of ambiguity as the credits roll as to the fate of one of the collective, all add up to a film that will leave you cold at its end.

Unlikely as it may seem, The Reef is one of the most effective horrors of the year.

Tagged: the reefsharkhorrorfilm 2011